Nunawading Music Teacher



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Music Teacher Details | Update
TitleMs
GenderF
MusicTeacher Age Band30-39
Years of Experience25
QualificationDiploma in Music - Performance - University of Melbourne
PositionMusic Teacher
Address5 Brenda Court
SuburbNunawading
Post Code3131
StateVIC
OnlineFalse
Phone (After Hours) 03 98770565
Phone (Mobile) 0403993851
Phone (Office Hours) 03 98770565
EMail 1 Email Me
EMail 2 Email Me
Website www.violinteachermelbourne.com.au
BACKGROUND I undertook my studies at the University of Melbourne Conservatorium of Music where, at the end of my first year of study, I was awarded the Ormond Exhibition (for performance and academic excellence) and the Florence Bradford Scholarship. I studied violin with Nathan Gutman, John Glickman and, after John went to England to take up the position of concertmaster of the Yehudi Menuhin Orchestra, I had the good fortune to learn from Christopher Martin. During my studies, I developed an enduring love of chamber music and undertook study in this area with Chris Martin and the world-renowned cellist, John Kennedy - father of the flamboyant, highly entertaining violinist, Nigel Kennedy. After graduating, I joined the State Orchestra of Victoria but, because I wanted to travel and broaden my musical horizons, I moved on to working as a freelance orchestral violinist, touring with such musicians as Rick Wakeman, Gene Pitney, Burt Bacharach and John Farnham. As family commitments increased, I became more involved in teaching, establishing my home studio in the eastern suburbs of Melbourne and working part-time at various private schools. I taught at Ruyton Girls’ School, Lauriston Girls’ School, Firbank Grammar School, Penleigh P.L.C., Eltham College and Caulfield Grammar School. Some of my teaching duties included: - group and individual tuition in violin and viola - the implementation and ongoing development of strings programs, usually at Grade 2 or 3 level - orchestral conducting at junior and senior levels - tutoring small ensembles to advanced levels - violin, viola and cello workshops - presenting student concerts for both solo and ensemble performances PHILOSOPHY I encourage my students to investigate as many different styles of music as possible in order to broaden their experience and knowledge bases and optimise their enjoyment of music-making. I place a high priority on having my students understand the importance of: - adopting natural hand, arm, shoulder and back shapes as much as possible - correct posture when playing and, equally importantly, how poor posture impacts on mental and physical performance in all our day-to-day activities - the mechanics involved in playing the violin and viola, thereby enabling them to maximise, in the short- and long-term, what is achieved in practice sessions I stress the importance and encourage (not pressure!) my students to perform as often as possible in a variety of different situations. This provides them with a means of developing not only their music performance skills but also their confidence and competence in other areas of formal presentation, such as class discussions and presentations, debating, job interviews and general assertive interaction with their peers and colleagues.